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Abstract: Traditional Chinese folk handicrafts can be divided into productive innovations based on market demand and innovations based on everyday folk life-two basic types with different innovation logics. The study of the succession and development of China’s “intangible cultural heritage” projects should first distinguish the contexts and essential differences between these two types of cultural heritage. This study reflects on the current “productive approach to safeguarding” intangible cultural heritage, pointing out that current projects pursuing cultural conservation and inheritance are often focused on “masterpieces” characterized strongly by “skilled” labor. Safeguarding and transmitting intangible cultural heritage also emphasizes “folk crafts” with a similarly strong “skilled” character. The development and protection of folk art and its industries, however, should be achieved on the premise of respecting its culture of survival.
Keywords: Traditional folk arts and crafts; Conservation of productive methods; Daily life; Spirituality
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